TIM MUSSO
ARTIST STATEMENT
Hiking in remote areas has a tendency to slow down time and offers a person
a chance to really observe various natural forms. Removed from society and
traversing the San Bernardino, Sierra Nevada, and Cascade mountain ranges,
I became acutely aware of the power of nature to survive in harsh conditions.
Trees growing out of solid granite on a windy mountain pass at 12,000 feet
seem to invite one to contemplate this power. Not all trees survive long in
these conditions. Their carcasses litter the high mountain areas. Tipped-over
with roots pointing skyward, the dead trees stand like tombstone monuments
attesting to the fragility of life. In this setting one cannot help but question our
relationship to the tenacious life forms of these mountainous regions. To
explore these ideas I have turned to investigating the ecological and botanical
cycles that support this unique landscape.
Just as there is a strong link between humans and trees via respiration and
the transference of oxygen and carbon dioxide, there is also a symbiotic
relationship between trees and the soil. Within soil reside small life forms
called mycorrhizae that have a delicate web-like structure composed of
many fine filaments that help them consume dead plant matter. In addition
to decomposing soil, the mycorrhizae tap into the root tips of living trees
and aid the tree in absorbing water and nutrients. In return, the mycorrhizae
get energy and nutrients that the tree produces through photosynthesis. On
the exposed slopes on the crests of the mountains the strong rigid roots of
a tree can last centuries once exposed to air, but the fine networks of the
mycorrhizae dry up and die instantly.
It is through developing images in woodcut, wood engraving and serigraphy,
that I attempt to call attention to the hidden and often subtle beauty of this
delicate relationship. As an artist working the wood, I mediate the
transformation of the block to the final print as the lung mediates the
exchange of gases or the mycorrhiza mediates the transference of water
and nutrients. In the resulting multitude of prints, certain forms repeat and
are recycled constantly demonstrating the plurality of these typically unseen
natural processes.
La Sierra On: