• Print

Music

Saturday, May 3, 2014 at 8PM

Hole Memorial Auditorium | FREE

Please join the our vocal faculty and students of La Sierra University as they present a wonderful evening of opera classics. We are also thrilled to have honored alumna Kimberly Sogioka joining the group over the weekend. She will be giving her own recital, as part of our alumni series, on Sunday, May 4 at 5p.

PROGRAM INFORMATION

Selections from the following works will be performed:

Norma | Vincenzo Bellini

Cendrillon | Jules Massenet

Roméo et Juliette | Charles Gounod

La Favorite | Gaetano Donizetti

Rusalka

Carmen | George Bizet

Armide | Christoph Willibald Gluck

Don Giovanni | Wolfgang Amadeus Mozart

THE PERFORMERS

Kimberly Sogioka, mezzo-soprano

Praised byOpera (UK) as “...the most opulent female sound on the stage...”young Japanese-American mezzo-soprano Kimberly Sogioka is drawing much attention as an exciting artist on the operatic and concert stage.

Ms. Sogioka’s 2013/14 season engagements include Giovanna in Rigoletto with Opera New Jersey, and Nerone in Agrippina with Operamission, Dulcinée in Massanet’s rarely performed Don Quichotte with Utopia Opera, a solo song recital of Berlioz and de Falle at her alma mater La Sierra University, as well as singing Angelina in La Cenerentola with Dicapo Opera and in masterclasses with the Metropolitan Opera Guild in New York City.

A frequent collaborator with composers in new music projects, Ms. Sogioka created the role of Nurse 3 in the Metropolitan Opera and English National Opera workshop of Michael Torke’s Senna, and was an ensemble soloist in the Metropolitan Opera workshop of Scott Wheeler;s The Sorrow’s of Frederick, Susanna in Corigliano’s The Ghosts of Versailles with the Aspen Opera Theatre Center, and has collaborated with Clint Borzoni in his world premier operas Margot Alone in the Light and Antinous and Hadrian, as well as with Stephen Andrew Taylor in scenes from his opera Paradises Lost with Operamission.

Other recent performances include Mercedes as well as the title role in Bizet’s Carmen with the Crested Butte Music Festival as a member of the Marcello Giordani Young Artist Program and title role in Carmen with Opera Libera in Philadelphia.

Equally at home on the concert stage, appearances have included the west-coast premier of Mack Wilberg’s Requiem with the Orange County Catholic Chorale, Irving Fine’s The Hourglass and An Immorality by Copland with The National Chorale at Avery Fisher Hall at Lincoln Center, and Das Lied von der Erde with the Orchestra Insonica at Paul Hall.  Ms. Sogioka also collaborated with renowned harpsichordist Kenneth Cooper, in selections from Bach’s Weihnachts-Oratorium, and also performed as part of his masterclass series for the Chamber Music Society of Lincoln Center.  She will be a featured soloist next season in a concert of Beethoven’s 9th Symphony with the Helena Symphony.

Ms. Sogioka is a graduate of the Manhattan School of Music and La Sierra University where she began her studies in violin and vocal performance.  She currently resides in New York City and studies with Bill Schuman.

Raejin Lee, soprano

Soprano RAEJIN LEE has an active performing career, with appearances throughout the United States, Italy, and Korea in oratorio, recital, and opera. She has performed such roles as Adina in L’elisir d’amore, Pamina in Die Zauberflöte, Juliette in Roméo et Juliette, Gretel in Hansel and Gretel, Giulietta in I Capuletti e i Montecchi, Despina in Così fan tutte, and Laetitia in The Old Maid and The Thief.  Dr. Lee has received many honors and awards, including a special prize for her distinguished performance of the Italian Art Song repertoire from the Italian America Cultural Foundation. Her biography has been listed in Who’s Who reference books including; Who’s Who in America, Who’s Who in the World, and Who’s Who of American Women. She was a featured soloist in the Contemporary Vocal Ensemble at Indiana University, where she earned her Bachelor’s and Master’s degrees. She received an Artist Diploma from the Cleveland Institute of Music and she completed her doctoral studies at Rutgers University in New Jersey as a student of Faith Esham. Originally from Seoul, Korea, Dr. Lee is currently Director of Vocal Studies at La Sierra University. She resides in Yorba Linda with her husband Justin, and their two daughters, Ashley and Olivia.

 

Javier Gonzalez, tenor

Tenor, Javier Gonzalez currently serves as an adjunct professor of voice at La Sierra University in Southern California.  He is recognized for the “precision and soaring beauty of his tone,” according to organist Mark Willey of the Spencerville Evensong Series in Washington DC. He was recently described in the Albuquerque Journal by music critic and composer Daniel S. Crafts as “a young star on the rise” who is a “…bold arresting tenor… with a shining lyricism.”  Mr. Gonzalez has performed in concert and opera productions playing the roles of Javier in Luisa Fernanda, Tamino in Die Zauberflöte, Canio in I’Pagliacci, Pinkerton in Madama Butterfly, Don Jose in Bizet’s Carmen, Edgar in Puccini’s Edgar and Roberto in Puccini’s Le Villi.  He has performed with world-renowned tenor Placido Domingo on the Kennedy Center opera stage and has also performed on the stage of Carnegie Hall in New York City under the baton of world-renowned composer John Rutter.  He has also appeared with the Alexandria Symphony, New England Symphonic Ensemble, and New Mexico Philharmonic. He has performed as a guest soloist with the Desert Chorale of Santa Fe and with Dr. Maxine Thevenot’s Polyphony: Voices of New Mexico. In 2008, Mr. Gonzalez was recipient of the first place prize in the Barry Alexander International Vocal Competition in New York City, was a finalist in the Domingo-Cafritz Young Artist competition in 2005 and first place winner of the UNM concerto competition and the regional NATS competition of New Mexico in 2010. Mr. Gonzalez has also appeared in several oratorio works on the international stage, performing Requiem by Verdi, Requiem by Mozart, Requiem by Lloyd Webber, Lord Nelson Mass by Haydn, Magnificat by Pergolessi, Misa Criolla by Ramirez, Messiah by Handel, Messa Di Gloria by Puccini, just to name a few, on such stages as Dvorak Hall in Prague, Ely Cathedral in Cambridge, St. George’s Chapel at Windsor Castle, the renowned Alba Music Festival in Italy, National Cathedral in Washington DC, St. Francis Basilica and Loretto Chapel in Sante Fe, New Mexico and Popejoy Hall in Albuquerque, New Mexico.  In April of 2010 he sang the role of John the beloved apostle on the stage of Carnegie Hall in the world premiere of the newly acclaimed operatic tableau, Oh My Son, by young Spanish composer, Marcos Galvany.  For ten years, he served as the assistant choral director of the Georgetown Presbyterian Chorale in Washington DC and has also been a guest choral and vocal clinician for the Vocal Arts Society of Washington.  He also served as voice teacher for the Spencerville Academy in Silver Spring, Maryland for 8 years.  He has recently completed his Masters degree in vocal performance and choral conducting at the University of New Mexico and served on the voice faculty of UNM from 2010 to 2013.

Aram Barsamian, baritone

After receiving his B.M. degree from CSUF (1994) and his M.M. degree from USC (1996), baritone Aram Barsamian made his professional operatic debut as Schaunard in La boheme at Sacramento Opera. In 1997, after his performance of the role Belcore in The Elixir of Love at Pacific Repertory Opera, and Dandini in La Cenerentola at the Merola Opera Program, he made his San Francisco Opera debut in Britten’s Death in Venice. In 1998 he appeared as Malatesta in Don Pasquale at Opera Santa Barbara, where he returned for Carmen in 2002. In 1998 he also debuted at Nevada Opera, as Pish-Tush in The Mikado, and returned in 1999 as Schaunard. In 2001 he was Pish-Tush in Eugene, OR. A favorite with Sacramento Opera audiences, he has sung in 12 productions with the company until 2004, when he was seen as Dandini. In 2006 the baritone sang the leading role of Belfiore in Verdi’s comic opera Un giorno di regno, with Lyric Opera of Los Angeles. A great advocate for Jules Massenet’s music, Mr. Barsamian performed the composer’s two-act opera Thérèse in concert in New York, with another CSUF alumna, mezzo-soprano Julie De Vaere. In 2009 he again sang Belcore in The Elixir of Love, at La Sierra University, where he also performed Papageno in The Magic Flute in 2010.

An active concert artist, Mr. Barsamian sang in “Debbie and Friends”, the concert that inaugurated Meng Concert Hall in 2006, singing alongside distinguished CSUF alumna Deborah Voigt. The baritone has performed the solos in numerous oratorios, among which are MessiahJudas Maccabaeus, the Requiems by Mozart, Fauré, Brahms and Duruflé, St. John PassionIch habe genugDixit Dominus, etc. In 2011-2012 he performed a recital program honoring the poetry of Francesco Petrarch at La Sierra University, Pasadena City College, Mt SAC, CSULA and the Intimate Opera Company. In April 2013 he will again be heard in Massenet’s Thérèse, at Pasadena City College.

Mr. Barsamian began his teaching career in 2001, at La Sierra University, where he directed/conducted Massenet’s operas Cendrillon (2004) and Thaïs (2006), as well as Pauline Viardot’s salon opera Cendrillon(2008). The baritone is also on the voice faculties of Pasadena City College and Mount San Antonio College, where he is currently directing Viardot’s Cendrillon. A member of the Pacific Chorale since 2004, Mr. Barsamian is currently the bass section leader.